This is where you will find the sources for quotes used in the project documentation book of Theatre of the Self.
Anderson L., (ed) Women and autobiography in the twentieth Century (remembered futures) , Prentice Hall / Harvester Wheatsheaf, 1992
Bal, M., Quoting Caravaggio: Contemporary Art, Preposterous History (Chicago: University of Chicago Press, 1999)
Battersby, C., Phenomenal woman: feminist metaphysics and the patterns of identity, Polity Press, 1998
Berger, J., Permanent Red: Essays in Seeing, Writers and Readers Publishing Cooperative; 1987
Betterton, R. (ed), An Intimate Distance: women artists and the body, Routledge, London/NY, 1996
Braidotti, R. Patterns of Dissonance, Polity Press, 1991
Braidotti, R. Nomadic Subjects. Embodiment and Sexual Difference in Contemporary Feminist Theory, Columbia University Press, 1994
BroughtonTL. & Anderson L. (eds) Women lives/Women’s Times new essays on auto/biography, State University of New York Press, 1997
Cameron J., Vein of Gold, Souvenir Press Ltd; 2013
Conboy K., Medina N., Stanbury S., (eds) Writing on the Body, Female Embodiment and Feminist Theory, Columbia Uni Press, 1997
Cosslet, T., Lury C., summerfield, P., (eds) Feminism and autobiography texts, theories, methods, Routledge; 2002
Cull L., (Ed). Deleuze and performance, Edinburgh University Press; 2009
De Laurentis, T., (ed) Feminist Studies/Critical Studies, Macmillan,University o f Winsconsin, 1986
Der Kunst, H., (ed) Joan Jonas, Hirmer, 2018
Du gay, Evans and Redman, Identity a reader
Grosz, E. Volatile Bodies:Towards a Corporeal Feminism, Indiana University Press, 1994
Grosz, E., Space, Time, and Perversion, Routledge, (US), 1995
Harrison & Wood (eds.) Art in Theory 1900-1990, Blackwell Ltd, 1992
Hassan A., Writing and reality a study of modern British diary fiction, Greenwood Press, 1992
Kaye N., & Giannachi G,. Performing presence between the live and the simulated, Manchester University Press, 2011
Miller, L., Voices Made Flesh:Performing Women’s Autobiography (Winsonsin Studies in Autobiography), 2003
Pisters, P., (ed) The Matrix of Visual Culture:Working with Deleuze in Film Theory (Cultural Memory in the Present) Stanford University Press, 2003
Pollock G., After-Affects/After-Images: Trauma and Aesthetic Transformation in the Virtual feminist Museum (Re-thinking Art’s Histories), Manchester Uni press, 2013
Robinson, H., Reading art reading Irigary, 2006
Schneider, R., Performing Remains: Art and War in Times of Theatrical Reenactment, Routledge;2011
Steedman C,. Landscape for a Good Woman: A Story of Two Women, Virago,1986
Swindells J, The uses of Autobiography, (Feminist Perspectives on the Past and Present), Taylor & Francis, 2014
Straub J;, (ed) Narration, Identity, and Historical Consciousness, Berghahn Books,2006
The personal narratives group: Interpreting Women’s Lives: Feminist Theory and Personal Narratives, Indiana University Press,1989
Van der Kolk, B., The body knows the score, Penguin; 2015
Novels
Milan Kundera Immortality
Anais Nin, Spy in the House of Love & also a reference from non-fiction Anais Nin 3:296 diary vol 3
Eco, Umberto, Mysterious flame of Queen loana
Marge Piercy, Woman on the Edge of Time
Online sources
On Doris Lessing and the Golden Notebook: https://www.theguardian.com/books/2012/apr/06/the-golden-notebook-50-years-on, 10/11/20
Beck, J., https://www.theatlantic.com/health/archive/2015/08/life-stories-narrative-psychology-redemption-mental-health/400796/, 10/11/20
Alexandra M. Kokoli, Remembering, Repeating and Working Through in ‘Anniversary–an act of memory’: by monica ross and Co-recitors (2008–) Performance Research 17 (5), 24-30 published online 09 October 2012
Journals
Battersby, C., Her Body/Her Boundaries, The Body, Journal of Philosophy and Visual Art, Academy Editions, Ernst & Son, 1993 ed, Andrew Benjamin, pp31-39
Catherine Grant: (Oxford art Journal 39:3, 2017) Feminist History Essay
Davis N, & Meezon Y.,staging an exilic autobiography On the pleasure and frustration of repetitions and return, performance research journal 20.5 pp.63-69
Katarzyna Kosmala, Paradoxa vol 39 2017 pp. 86-95 ‘Becoming imperceptible M/Other:Negotiating porous multiple selves
Little, S., repeating repetition, trauma and performance, Performance Research Journal 20.5 pp.44-50